Pyramid Art


Pyramid Art

By Mark Dolamore 

Pyramid art owes its existence to an experimental observation technique, so it straddles the frontier with science. My influences were Carl Jung’s ideas on the unconscious and the experience of synchronicity, directing this systems breakthrough, answering questions about timelessness and our collective potential for synergy with nature.

The triptych is a mathematical system that captures sublime beauty to demonstrate a new vision. This art stands as evidence for that and has implications for a theory of mind, currently missing from science, the one it refers to as "the hard problem". So, though not easy to grasp, it's certainly worth trying to understand this art discovery.

As mentioned, it was built by following the guiding prompts of the observational phenomenon synchronicity. I began by constructing a mandala. This Jewel Mandala or JM, is where the two, pre-existent binary coded data sets are combined using a simple formula to produce the symbolism as a pattern of "interference" between them. One of the source codes is well known and ancient, while the other is modern and unknown. Hence, where the configuration clearly reveals meaning as the essence of timelessness, nothing so intelligible should exist, according to the conventional world view... and the information must have been planted by a timeless intelligence in control of us all.

Such meaning is found within the Pyramid. That makes it mathematical proof of our collective conditioning by a hidden holistic intelligence in nature; evidence also for my conscious synergy with it, using synchronicity as a guidance technique. Importantly, science has already identified a timeless and psychoactive force, within the quantum field. My work suggests it's integral to the way the mind works and our conscious synergy with it is both possible and confers an astonishing creative advantage.

Effectively, the Pyramid provides the means to develop a relationship with the abstract through this language, which cannot be human, but neither is it totally alien. It belongs to the hive mind Jung referred to as the collective unconscious; source of divine, or demonic experience, depending on our circumstances.

Sooner or later we all notice the timeless force, working through weirdness like déjà vu and Freudian slips, to name but a few. We mostly dismiss such impressions because they challenge the conventional world-vision we subscribe to, that denies such unexplained magic. However, that view evolves over time as the artefact of the civilisation we're born into.

I was put in the position to unearth the Pyramid when my awareness was suddenly transformed by prolific synchronicity. The experience deepened on a daily basis to answer questions and pose some more, so I pursued the dialectic as feedback with nature, since it offered a thread to follow. After about four years, I'd moved by then from London to São Paulo Brazil, where the Pyramid then just popped out. The feedback I put myself through, can now be initiated on demand by anyone via my collective art project, using a remote quantum field interface: Contact me on Fb if you like and I'll demo how to make it work.

Albert Einstein said: "The intuitive mind is a sacred gift and the rational mind a faithful servant, but we've created a society honouring the servant that forgets the gift”. The amnesia represents the failure to develop a conscious partnership with the spiritual source of our own creativity. That's why I'm convinced we should inspect the gift more closely. Problem is, we've largely replaced sacredness, as a concept in the day to day, with rights and responsibilities, which all seems fine, but it's a definite disconnect that means we fail to realise why we should reconsider the sacred. Such a failure sets us adrift as we always have been, living under the thrall rather than in synergy with the hive mind. Nonetheless. we need help from somewhere. Humanity is balanced on a knife edge and the direction of our progress couldn't be more important.

The problem of trusting an alien force of mind, even one hidden within us, arises because, despite all the clues, we think its probably a delusion, nothing to do with us and we really are free agents. That assumption is couched in every law governing society, but, what if the spiritual freedom we think we possess isn’t possible, due to the unknown mechanics of the universe as they relate to the workings of the human mind... the inspired source of our ideas? It would be an ignominious state of affairs then to pursue our personal desires, in the knowledge they're manipulated by an overarching intelligence, possibly motivated to betray us, wouldn't it? On the other hand, were we, as individuals, to somehow develop conscious synergy with this mind force of nature, could a truly creative, long term liaison emerge? Who will ever know? It's highly unlikely to come to that because, as things stand, the relationship of the hive mind to the individual remains one of parasite and host and we're oblivious to the critical nature of our situation. What's needed is a proactive revolution in consciousness. Pyramid Art represents the spark to light that fire. It is mathematical evidence man can develop a creative partnership timelessness through synchronicity and in so doing, achieve what we think of as genius. I suggest it's the paradigm shift needed, if civilisation is to survive itself.

Great Modern Art captures an impression of something unseen. Pyramid Art goes one vital step further because it's generated by a mathematical logic you can contemplate, exposing what’s hidden. Here lies the realistic possibility of your own personal breakthrough to timelessness. I offer you that sensational experience if you'll play along. My Pyramid art was produced by combining information only attributable to a sublime force of nature. Since I was guided by synchronicity to the information stored in an obscure pair of binary coded sequences. Convention sees their combination as merely arbitrary, so the Pyramid should then be meaningless, but since it's coherently meaningful at every level, convention must be wrong about many things... just like flat-Earth thinkers, if you know what I mean.

Shakespeare most famously said it best when he wrote: "The fault is not in our stars, but in ourselves, that we are underlings". However, we can make the situation work for us once we become conscious of it, by entering a state of synergy with the sublime. As a graphic example, consider this challenge to your conceptual intelligence, suggesting the "hive mind" deems it time to commune with you 121, to provoke the flowering of your genius. Give yourself a minute, a pen and a blank sheet of paper. Now draw a butterfly with four wings, a body, head and antennae, using just five straight lines. Make the beast look alive and in flight. Is that even possible?

Now see the centre of the Pyramid. The arrow pointing east, with letter 'N' suggests a spiritual compass. The instrument points to a representation of natural feedback, known as the Butterfly Effect. The image is "drawn" like a signature, in one continuous line, changing direction just four times. It describes the butterfly requested above. Now, when the compass arrow is turned to point north, the whole Pyramid points west, symbolising a new frontier, while the central image transforms to the first and last letters of the Roman alphabet... signifying a map or guide, while the butterfly, now above, magically appears to change direction through 180 degrees.

The central component of the triptych, this Jewel Mandala or JM, is the crucial part of the formula I settled on in minutes by following the prompts of synchronicity. It's a schematic arrangement of archetypes, like alchemical elements. Here they’re borrowed from an oriental philosophy and positioned in a numbered sequence reflecting balance and opposition. The JM is the window where the source codes are converted to symbols. These codes come from the world's oldest constantly used book, a pre-scientific vision of man and nature; the I Ching, also known as "The Book of Changes". The lower code strip of binary coded data contributes to the mathematical system as the most familiar hexagram sequence, named after King Wen. In contrast, the upper code sequence, by Richard Wilhelm, the index arrangement from his twentieth century translation, is unknown in its pictured form. Roughly three thousand years separates them and neither author could have deliberately hidden the Pyramid in his work... by which we can conclude, whether we like it or not, nature's timeless creative force manipulated the authors' minds and by extension manipulates all of us unconsciously, in the manner of a hive mind. The implications are inspiring and threatening in equal measure: Trans-personal purpose is available for us to discover on the one hand, but on the other, the individual freedom we think we posses, must be a delusion. Ironically, perhaps the only freedom we can own then is to pursue conscious synergy or not. By the same token, if we, as a species, knowingly continue in delusion, our civilization doesn't deserve to survive. That's why I urge you try and kick start your guiding relationship direct with nature.

Western civilisation, back in Roman times, celebrated such feedback in its conception of genius. But the scientific mindset has modified its meaning and simultaneously failed to formulate a theory connecting the individual to nature because that would validate the animist ideas its cold logic has always wanted to banish from our world view. Consequently, science has no theory to explain how the mind works and never will, unless it recognises our timeless connection with nature, as a mind force working away in real-time. Being scientifically minded and intuitively inspired, while oblivious of nature's creative force of mind must limit our conceptual intelligence. I propose my Pyramid Art, resulting from my conscious alliance with timelessness, is proof of the veracity of ancient thinking about the source of human genius, but it has to be said, I'm no Einstein... yet I was chosen to bring the Pyramid to light. You have to ask: What might you be chosen to discover by developing the synergy I speak of?

Those individuals who came up with the source codes for my Pyramid Art, must also have been chosen by the sublime force. If we trust life and the mind is the product of a benign universe, our supreme purpose must be positive evolution, through conscious re-connection with the origin of nature and with that, the prospect of spiritual immortality. However, one or two things stand in the way. No matter how we may consider the source of truth and beauty to be a good thing, the knowledge of our own unconscious manipulation by an unseen entity, challenges our sense of justice, hence the age old confusion about free will, the supernatural, God and the devil.

Synchronicity sent me on a winding path through this minefield. The process began with difficulty. There were tests to overcome. Through them I was motivated to push ahead by my love of a holistic agency I had become conscious of, pulling at my strings. Since prehistoric times, until less than a thousand years ago, starting in the Islamic world, when in his quest for truth, mankind changed tack through the scientific method, a spiritual relationship to the Gods, or the "Great Spirit" out there was keenly sought by the brightest among us. It's time to tack back a little and reinvest ourselves spiritually, in light of my discovery. After all, the motto inscribed at the spiritual source of western civilisation, the temple of Apollo at Delphi, is the crux of the quest we all must subscribe to as a matter of personal integrity: "know thyself". What in truth is our actual relationship to nature, which created us as if by accident? The Pyramid clarifies the labyrinthine confusion of unconscious forces at work by knotting together threads of the puzzle; Eastern and Western, ancient and modern.

Nature's creative force, its self organised intelligence, can offer direction only when recognised and pursued. Scientific scepticism and logic has its value, but it's created imbalance that effects us all now and turns our heads away from such a course. Yet logically, it's imperative for the future of mankind we find synergy with nature. We are the junior partners, so how do we intend to become receptive through our undeveloped senses? Clearly, a perceptual upgrade is needed. That's what I think the Pyramid represents. Any of the symbols suggests meaning, firstly through the cartoon-like image produced by the mathematical system, then as a combination of I Ching hexagrams. I have considered these things exhaustively, but my personal feedback was responsible for revealing it in the first place. Only your own feedback with nature will allow you to develop the perceptual upgrade and inspire your trust in this course of action. We all possess that latent link to timelessness, but have you the courage to develop it?

In the 1980's, science discovered a timeless force operating within the Quantum Field (QF) everywhere, even within the mind. More than 99.99% of the volume of our physical reality is QF nothingness within atoms. Your body and brain contains trillions of them, and so the total volume of what you think of as the essential you, consists almost entirely of nothingness. In brain studies, there's medical scan evidence to confirm something influences us before we even become aware of our own ideas. If the universe is the holistic quantum phenomenon physical science proclaims, then your mind must also work at that level of nature, connecting you to something eternal. If we are all aspects of nature's self organised beauty, then we are not individually free and what we think of as freedom is a mirage, constructed by our overly favourable opinion of our abilities and importance. The only true freedom we could attain, ironically, is a voluntary partnership with the force of timelessness, so as to overwrite the unconscious manipulation nature imposes by default. I've shown, through my discovery of the Pyramid, how nature holds us intellectually in its thrall. At the same time, I've also shown nature awaits our conscious collaboration. This prospect of synergy requires your intuitive development.

Einstein, the archetypal genius said: "Intuition is the only real valuable thing." He made best use of it to formulate his theories and transform our notion of reality. With first hand experience of synchronicity and a little fine tuning I believe we can transform ourselves through the timeless quantum dimension.

Changing the collective vision in this way is only possible, one mind at a time. Note how the meaning of the central imagery of the Pyramid changes when turned 90 degrees to point west. The compass image points north now and resembles the first and last letters of the modern, Roman alphabet, recalling the Alpha & Omega, first and last letters of the ancient Greek alphabet, badge of the Biblical Messiah. The butterfly soars above now, having changed direction 180 degrees to fly west... so where did the 90 degrees extra gyration come from? Symbolically the image suggests transformed perception through a whole other dimension of the mind, the synergy frontier to be explored.

The prospect of an alliance with nature's hidden beauty moved me to embark on my quest for a new art. It culminated in the Jewel Mandala (JM), the middle image of the triptych. I named it the 'Jewel', because it looks like a cut gem. Each of the 28 lines represents two hexagrams. In addition, there are eight circles, representing hexagrams with identical upper and lower trigrams. The JM unlocks the binary coded data. The importance of the JM was confirmed by apocalyptic synchronicity around the world, at the beginning and end of my creative time frame, over a long weekend. The first confirming event was an unforecast hurricane the Michael Fish storm, which ravaged my homeland. This was followed three days later by Black Monday, when the symbolism emerged.

Oscar Wilde said: "Life imitates art far more than art imitates life." Sir Kenneth Clarke in his 1969 TV series Civilisation said: "All art is in one way or another about the search for God”. Albert Einstein said: "The intuitive mind is a sacred gift and the rational mind a faithful servant, but we've created a society honouring the servant that forgets the gift”. I've not forgotten it. My artistic process used synchronicity to produce the Pyramid... but from the beginning I had only faith some method to the madness would carry me through.

You’ll be vaguely aware of the effects of timelessness in your dreams, déjà vu, Freudian slips, synchronicity, intuition and more. If channelling these things to a magical goal can work as it did in my case, then considering such effects seriously, as a form of guidance from nature, isn't the madness it sounds, while the failure to consider them is the real reason the planet is in such a pickle.

I'm sure I'm not the first to experience timeless nature as a power of mind. I am however the first to bring forth mathematical evidence for my synergy relationship. I've also devised a fun, fascinating and collaborative art work I invite you to help create (no drawing skill required). By taking part you'll naturally tune-in to timelessness, because it employs a form of synchronicity on demand, harnessing the quantum field. I believe this art will develop your synergy, that will surface in ways you cannot even imagine, because it happened like that for me. Feel free to join You can return here to work your head into this theory from the Pyramid Art button in the top menu or contact me on "site info".