Just as bright words here link to pictures and deeper definition, great art reveals something unseen, capable of transforming our collective world vision. The Pyramid shines with such beauty.
It's fruit of catharsis engineered by the esoterically talented Australian gallerist, Rebecca Hossack. The process sent me on a journey from London to São Paulo Brazil, where Pyramid Art came to light. I moved again, to North America then again back to Brazil. I'm living out my days now in France, suffering from illness. The gold button in the header tells my story.
Pyramid Art is a systems discovery in three parts, like a medieval altar piece known as a triptych. In fact it's rather more spiritual because it answers the big question Carl Jung posed mankind after all the traumas of WWII: Are we related to anything infinite or not?
There's been plenty of invention in art, but the Pyramid is the first actual discovery since the renaissance. Back then it was one point perspective, used to craft the illusion of space. This discovery, if you want it to, can build your real time relationship to the sublime beauty of timelessness, which is more useful than it sounds.
The Pyramid is mathematical and systematic so, far from a mere impression or invention it's quasi scientific in an area science fears to tread. It's actually the result of a consciousness development experiment I carried out on myself, following the questions Rebecca's esoteric stimulus posed. The art represents evidence for my subsequent synergy with the hidden dimension you may think of as timelessness. This singular, immeasurable dimension is undoubtedly the ancestor of life and everything. Through Pyramid Art he invites us to connect and play.
All this emerged from an observation technique I pioneered, which is markedly different from other ways of looking because it informs or guides through feedback with space-time, via synchronicity, the mind effect Carl Jung defined. Pyramid Art verifies my claim to synergy with nature as a result of this pursuit, because it reveals the persona of the ancestor through a discovered language, which in technical terms can only belong to a holistic mind beyond life, acting within our own.
How can I be so sure?
To begin with, the central imagery of the Pyramid consists of the A and Z monogram, overflown by a butterfly. That's remarkably descriptive and messianic, given these images are as likely as a room full of monkeys dancing on typewriters is to produce the complete works of Shakespeare. You see, they're built as a systematic combination of two archaic, binary coded data sets, using a mandala structure to generate what's known as an interference pattern. It comes out as the symbolic lexicon or language. One of the code sequences is relatively modern and the other, decidedly ancient. You can be sure then, the meaning exposed belongs to a timeless entity, hidden within our reality since the beginning. The Jewel Mandala acts like graph paper, so the symbolism is plotted using this very simple mathematical system.
The meaning contained in the symbolic images reflects the channelling quality of the observational process I used to discover them. It's really simple: I asked questions in my head and they were answered on the fly by meaningful coincidences in my environment. That's how I observed timelessness as my real-time guide and partner in this enterprise. My mission is to initiate you into this form of guidance from the universe as a way of synergising with the planet and resetting your personal trajectory. The initial problem is, receptivity to synchronicity is generally poor and needs to be sensitised for such a creative development to take effect. This kind of magic also meets with automatic resistance from the rational ego because its possession of self is challenged by it. The reflex is to forget such strangeness and carry on as if nothing had happened. That's the mistake.
We all occasionally experience synchronicity in a limited way, along with other anomalies of awareness, like déjà vu. My discovery of the Pyramid proves they can steer us closer to synergy with space-time. Few have followed this path because, generally speaking we're dismissive rather than curious about such weird, transient effects. Conventional wisdom denies they lead anywhere, but based on the evidence Pyramid Art provides, the discovery of meaning where there should be none, such wisdom must be seen as prejudice and ultimately self destructive.
The very existence of the Pyramid begs two questions: Why does such weirdness exist in the first place; and... How can you know if the perception of guidance from timelessness I claim to have pursued, is real or not, where you experience the same?
At one point I began following synchronicity to find out the truth. It all kicked off at the age of twenty seven when the change of awareness overtook me. The phenomenon then just kept building. Some years later, at the peak, it reached hundreds of events per day. Synchronicity is the spiritual experience that betrays a level of mind materialist thinking will never grasp. It belongs to what neuroscience refers to as the "Hard Problem", characterising its failure to formulate a theory of mind explaining all our mental abilities and potentials. The Pyramid represents a watershed there because it reveals shocking information from the unconscious, contradicting cherished assumptions using simple mathematics... and numbers don't lie.
You need to be aware why this art has such monumental significance, so bare with me now while I jump to a seemingly unconnected area of science.
Here's the thing: Free will is not as free as the conscious ego would like to think. Consider the mind effects of parapraxis and déjà vu and you'll understand. On top of that, while evidence to the contrary stares us in the face, the whole system supporting the concept of free will is blinkered and we refuse to acknowledge this, simply because conventional thinking sees nothing wrong. But in failing to notice a transcendental light through its thicket, we've shut off our ability to develop synergy with nature. Modern science has its knickers in such a twist on this issue; it must close your mind by having you believe in a fantasy concept i.e. the multiverse. This is a preposterous doctrine first proposed by Hugh Everett, back in 1954 in his graduate thesis, then summarily bolted on to the scientific cannon by the establishment to explain away the Anthropic Principle; the observed fact our universe is finely tuned to produce life and reasoning intelligence, such as ours.
At the time, the ethically truthful, but vehemently godless foundation of science, having remained untested, had been safe since the age of reason by virtue of its evidence based system of knowledge gathering. In the mid-nineteen-fifties that godless status was challenged by Fred Hoyle, the theoretical astrophysicist who discovered the fusion process, creating carbon within stars, is so finely tuned and so unlikely, it could not be the product of chance organisation, so carbon based life, such as ours and indeed, the entire universe, must have been designed by a cosmic intellect, i.e. God. The multiverse concept was a way for cosmological science to double down and trump that idea. However, its adoption was simply a perverse gamble motivated by entrenched atheism and not by any proven fact, since evidence to support the theory is impossible to acquire. Worse still, it has put the future of life here at risk. We have disturbed the balance of the planet because the tactic worked, Hoyle was ignored and the hegemony of scientific godlessness was maintained. It's a big deal because our world vision continues to be corrupted by its deceit.
The multiverse concept apparently defines the useful limits of rationality. Essentially, the idea imagines ours is just one of an infinite number of universes, whose laws are determined by chance. Remember, this is a doctrine preferred by the arbiters of scientific truth, so they can maintain, despite evidence to the contrary, our universe obeys laws set at random and not by a supreme being. This way they sidestep the need to investigate him.
Logic dictates if ours is a randomly arranged universe, only meaningless shapes would result from my pattern making system. Remember, I followed chance synchronicity events as signposts to create the Pyramid. According to conventional wisdom then, no revelation concerning a creative force at the heart of reality would be likely to emerge from my process, yet that's precisely what happened. It's obvious in the central imagery of the pyramid and occurs throughout this language, the more you look. You'll notice, all the corners: an anchor, a fisherman and the letter "b" for "being" are symbols for Christ and the whole sequence tells of mythic development, a story you could buy into.
So, what can be going on?
The fact my creative process involved the creation of a simple mathematical system centred on synchronicity as the expression of my feedback with space-time is key. Conscious feedback of this kind implies an unconscious intelligence underlying reality exists to feedback with, in order to find the working synergy I claim.
What if chance only appears to be random because conventional wisdom is blind to its pattern? What if that pattern is the only thing that can save us from ourselves by activating the quality of the mind hidden to our rational mind, but accessible to the creative (intuitive) mind, a path to synergy with nature at the level of timelessness?
Where can we focus our attention to find this cure?
Physics says the whole universe is a quantum phenomenon. Experiments have confirmed, the quantum field, the connected void within atoms, which includes the void between the stars and galaxies of the entire universe, presents a non-local force involved in quantum entanglement, a curious phenomenon that defies relativity. We also know that force is psychoactive because the results of experiments hinge on the intentions of the scientists who carry them out. It implies this non-local force never needs to travel anywhere because it acts everywhere simultaneously and it influences us unconsciously. Essentially it's a timeless dimension we are unaware of in real life... but come to think of it, sometimes it does break through to consciousness in events like déjà vu and it would naturally be responsible for synchronicity and all the mind's creative functions. The point is it would be very useful if we found a way to synergise with it.
My Pyramid and the meaning it reveals, relied on tuning-in to timelessness. It's the proof we are capable of waking up to this ubiquitous dimension. I predict doing it en-mass will lift humanity out of the crisis we're in, by developing a kind of genius in synergy with nature.
The very existence of meaning expressed through my Pyramid art by a hidden force of nature, given its systematic and mathematical structure, suggests there must be a cosmic plan we can tune-in to as individuals, because it has to do with an unconscious force controlling the way the mind works. In that context the AZ symbol in the central imagery of the Pyramid suggests the source, its goal and the map to navigate the labyrinth of existence. It's also an update to the Biblical Alpha & Omega, beginning and end of the ancient Greek alphabet. That was the symbolism early Christianity used to represent the liberator, or messiah. Above is a butterfly in flight, referring to metamorphosis, liberation, the butterfly effect and timeless beauty as a living beast; which by the way, is drawn like a signature, in one continuous line, changing direction just four times. That alone is a graphic indicator of intelligence beyond.
The quantum void makes up more than 99% of the volume of physical matter here on Earth, including our brain matter, from where its force must continually influence our thoughts, whether we realise it or not. The ego self normally suppresses it, whereas responding to its clues as feedback amplifies its force.
Planet Earth is in a perilous situation and we need help from somewhere now because "expert" thinking is not immune to the corruption infecting all elites; the people and systems that have, with the best intentions, gotten us into our current mess.
Synchronicity had become the dominant feature of my awareness by the age of thirty, so I was positioned to use it as an observation technique to direct my artistic enquiry into timelessness when I moved from London to São Paulo Brazil. This move eventually came to fruition through a creative episode, bracketed by global synchronicity in 1987: The Great October storm and Black Monday. That episode revealed the Pyramid as an interference pattern between two binary hexagram codes found in a western, twentieth century translation of an ancient, oriental philosophy.
The I Ching is the world's oldest constantly used book. As such, the meaning revealed by the Pyramid is proof mathematical of a timeless intellect, working towards something through the ages. His creative force emanates from both within and beyond the individual, where we also find the quantum field. His force of mind, when tuned-in to, would then link all creativity, human or otherwise, back to the sublime ancestor; the eternal Yang to our mortal Yin. So, here's a question to consider:
Would deliberate action in synergy with timelessness, bestow merit on its actors for eternity? It stands to reason it would, and the opposite must also be true.
The fact we are normally unaware of the ancestor cannot therefore, be a good thing. For starters he comes across as spooky when we do catch a glimpse, so we recoil in horror and confusion, then promptly forget those "incidents" while the ego reasserts itself as sole possessor of self. The alternative would be to do as I did: Love, listen, follow and develop synergy over time, so a marvel might emerge.
While I know deep satisfaction will come from your synergy with the ancestor, once you develop it, all I can do is implant these ideas and offer initiation and development tools, once you sign up. You may already have experienced the stirrings of the mystery I'm talking about, as an apocalyptic form of beauty. This shines through the Pyramid for your contemplation as a catalyst for conscious partnership.
The eminent art historian, Kenneth Clarke, in his magnum opus: "Civilization," said: "All art is in one way or another, about the search for God." Well, eureka! I offer graphic proof of the abstract force synonymous with the Collective Unconscious, the hive mind, or Divine spirit in man. To emphasise the need for a revolution of consciousness now, here's a quote from Albert Einstein, the quintessential Genius:
"The intuitive mind is a sacred gift and the rational mind a faithful servant, but we've created a society honouring the servant that forgets the gift”. The ongoing amnesia stems from our failure to develop working synergy with the source of our own creativity.
To reform mankind's abusive relationship to nature, requires we transform our thinking by tuning individual intuition in to timelessness as both an inspirational and self limiting force. I offer my "Papolona" art project for that purpose. You're invited to become a co-artist, though no artistic skill is needed. A willingness to accept the intuitive mind and adapt to its prompting is essential though. While you're in this mode, you can also learn the language of The Pyramid. Click this link to Papolona.guru or the butterfly button in this page header, then compose some honest question(s) to start your ball rolling. You'll receive clues by which to interact with the ancestor via the quantum field. Allow them to stimulate and guide your vision and with a little practice, the process will uncannily engage and tune your synergy with space-time.
Make contact via Papolona.guru and I'll guide you through the first few steps.