The Pyramid illustrates a fascinating facet of mind we all possess, but are generally scared of. The art is spiritual and mathematical in an uncomplicated way, which allows me to claim it's the first and only fine art discovery ever.
It has nothing to do with those edifices of Egypt, except in the only way that matters, projecting as it does, a message to each of us from the sublime source that moved the ancients to build those monuments to immortality: the spirit of death.
Sir Kenneth Clarke, in his TV series: "Civilization", said: "All art is in one way or another about the search for God." The systems art logic of the Pyramid triptych reveals the divine, when you take time to contemplate and recognise it.
If you're an acute observer you'll probably already have realised something unconscious and spiritual seems to be in control of the mind. It works through "inspired" deeds, dreams, déjà vu, serendipity, hysteria and more. We're unconscious of its scale and of the manipulation as it takes place. So would you agree, while such manoeuvrings remain unconscious, a humiliating state of affairs exists? Should we not attempt to find synergy with the transpersonal influence that is clearly playing us en-mass?
Pyramid Art emerged from my pursuit of this force through the guiding thread I picked up in my experience of timelessness. It took the form of spontaneous, meaningful coincidences Carl Jung named synchronicity. In the process my impression of entering a state of synergy with nature was both inescapable and immensely satisfying, if sometimes scary. Pyramid art represents proof our innate connection to the Great Spirit of nature can be developed by pursuing His guidance. In other words: great human potential would be released by individuals learning to read and follow advice from God in real time.
What magic is this?
The facts are these: The mathematical system my process of following guidance in real-time revealed, exposes the timelessness of the mechanism at work. It does this by combining a very old binary coded data set with a modern arrangement from a twentieth century translation by Richard Wilhelm, of an ancient Chinese classic. At about twice the age of the Bible, the I Ching is the oldest book in constant use. It's also the source of the modern binary code. The Pyramid symbolism is the interference pattern produced by combining, through a simple formula, a pair of binary code sequences the guidance led me to borrow from the I Ching. Messianic meaning is exposed in the central imagery of the Pyramid, which turns out to be a descriptive metaphor representing the guiding power of beauty, expressed in the relationship between two of the resulting symbols central to the Pyramid. One comprises the beginning and end of the modern Roman alphabet, the other is the simplest possible drawing of a butterfly in flight, complete with its four wings, body, head and antennae.
Since Pyramid Art is founded in ancient codes, nobody, least of all me, could have contrived such meaningful symbolism. If the materialist world view is correct, such meaning shouldn't even exist because the animating spirit of nature is unthinkable within that mindset. Because my method revealed its message via mathematical means, it comes with the certainty we attach to such logic as the reflection of universal truth. And so it offers proof of the route into creative synergy with the source of life and beauty, the route to salvation. Whether or not you're aware of it, "His" force must control the way the mind works 24/7 and civilization must be nudged along by His "creativity" over the centuries without us noticing.
You may think it's not sensible to ponder such complexity and anyway "Plus ça change, plus c'est la même chose"... but then a vital question arises: Why would "He" reveal himself in a work of art now, if not because collectively, we need to appreciate and follow Him, to save the planet? Do you see a lifeline being thrown? Will you reach out and grab it or go under with the crowd? It's your choice. Make it now.
Just as the bright words here link to pictures and deeper definition, great art reveals beauty from beyond mere appearance. Pyramid Art extracts hidden beauty through a mathematically verifiable, systems approach, which followed directions provided by the Jungian observational phenomenon known as synchronicity. This weird perception occurs to everyone at some point, so in theory anyone could pursue it, once our eyes are opened and the path made clearer. But, our "reasonable" reflex is to dismiss such guiding meaning as a mirage, and that's the perennial mistake that means we never get onto the first step to ascension. What if you were to adopt the holistic view and consider synchronicity as feedback from the creative spirit of the universe? Apropos, I've made this prospect very easy to pursue. Join me as a co-artist here: Papolona.guru.
Physics affirms the whole universe is a quantum phenomenon. I've found a way, using a remote laboratory link to the quantum field, to tune intuition through a form of synchronicity on demand, so anyone can pursue synergy in real-time. You don't need to wait for synchronicity to occur spontaneously. But, like anything worthwhile, the technique I offer requires practice. Papolona (the Catalan word for butterfly) is an art experiment designed to both inspire and gather evidence of feedback as a viable route for "creative" man to follow. Its pictorial elements are produced robotically, so it requires no artistic skill per se, so everyone can become a co-artist. What matters is your development of intuitive synergy with the spirit of nature as expressed from the quantum field.
Do you agree that conscious intent to follow an honest partnership with nature is the only way to save humanity from itself? Since I've proven it's possible to pursue the Great Spirit in that way, you could at least give it a try.
Spontaneous synchronicity overtook me one night at the age of twenty seven, with hundreds of events on some days thereafter. That's how I know it represents feedback and gives access to nature's Great Spirit. One's "normal" lack of discernment in this area of perception is exemplified by what neuroscientists refer to as "The Hard Problem". That's the phrase they use to characterise the failure of science to explain how the mind works. On the other hand, the synergistically receptive and intuitive mind, thanks to the Pyramid, can now be identified as the essential area to develop before it's too late. But first, we must drop cherished assumptions about free will and that puts the cat among the pigeons, because we see it as the vital source of our "identity". When you drop free will from your belief system, you open your path to the real time development of your intimate, synergy relationship with nature i.e., something far more valuable.
Something has been forgotten. In the words of Albert Einstein, the quintessential genius: "The intuitive mind is a sacred gift and the rational mind a faithful servant, but we've created a society honouring the servant that forgets the gift”. Ergo, to cure ourselves of amnesia, we need to re-jig our behaviour in regard to nature. In other words, we should focus attention on our failure so far, to develop working synergy with the spiritual source of our own creativity. That also means any solution lies within the purview of fine-art.
My tuning-in process took me on an artistic journey from London to São Paulo Brazil and on to Canada, where I married into the Trivial Pursuit clan. There it became clear something pernicious was in progress, so I returned to Brazil, then came back to Europe and ended up living in France. The gold header button tells how the Pyramid was discovered on that journey.
The basics are simple: Guidance appeared when I asked questions in my head and they were answered on the fly symbolically by meaningful coincidences appearing as metaphors, usually in my immediate circumstances and through all variety of means. This process equates to the abiding religious experience referred to in the Bible: "Ask and ye shall receive". But I was brought up as an atheist, so these functional dynamics came as a shock, albeit a fascinating one. The effect was to develop my devotion to building the synergy partnership with timelessness clear of religious distortions.
Whether or not you are religious, your spiritual vision, the one you consolidate through life's twists and turns, defines your moral identity. That's all we can ever really own. The ultimate development of art; the search for a spiritual kind of gold if you will, must ultimately become synergised with the immortal power of the universe to find that treasure. Pyramid Art, for the first time ever, offers proof of principle for the validity of such a personal quest, through the development of a disregarded skill set.
In a nutshell the Pyramid reveals how beauty, rather than being in the "eye" of the beholder, is a cosmic force, an ancestral intelligence that operates from the unconscious, from where it colours our logic, sparks ideas and moods that condition our desires and perceptions, which pull at our strings in real life with enchantment in dreams and weirdness in synchronicity, déjà vu, etc. This means our appreciation of underlying beauty, through positive feedback, or synchronicity, must develop into a kind of creative partnership with nature, or else what's the point?
So, lets take a closer look at the Pyramid as the positive proof of this principle: The first thing to understand is it's a systems piece in three parts, like a medieval church triptych. Essentially this answers the big question Carl Jung posed mankind after the horror of WWII: Are we related to an infinite being or not? Graphically it confirms how feedback with cosmic beauty possesses psychoactive force throughout history and this is something we can learn to steer once we recognise our individual connection, by applying the butterfly effect.
This language would be the catalyst to initiate a real-time relationship with the sublime, capable of teaching our human, sorcerer's apprentice mentality a remedial trick. The idea is to apply something like a software patch, by building synergy with nature into our creative thinking.
The Pyramid emerged from my pioneering observation technique, which informs through the effect we all get on occasion and Carl Jung named synchronicity. It verifies my claim to having achieved synergy with space-time because the art reveals the persona of the Great Spirit through its original, "hieroglyphic" imagery. In technical terms such meaning can only belong to a holistic mind the unconscious is already part of, but few of us are properly tuned-in to.
How can I be so sure?
To begin with, the central imagery of the Pyramid consists of the A and Z monogram, overflown by a butterfly (Papolona). That's remarkably descriptive and messianic, given these images are as likely as a room full of monkeys dancing on typewriters is to produce the complete works of Shakespeare. You see, they're built merely as a systematic combination of two alternative arrangements of a binary coded data set. By using a mandala structure their combination produces an interference pattern. One of the binary code sequences used is relatively modern, the other is decidedly ancient. You can be sure then, the meaning exposed belongs not to man, but to a timeless entity, hidden within us and the fabric of space-time, which I observed and took instruction from. The process of tuning-in took some years and ultimately led to my creation of the Jewel Mandala. The structure acts like graph paper where the symbols of the Pyramid are plotted using this mathematical system so simple a five year old can understand it.
The meaning of the Pyramid reflects the channelling quality of my observational process, where I teamed up with timelessness. My mission is to expose the universal foundation of beauty so you can do that for yourself. Humanity needs to relate to this abstract being, this ancestor of life and everything. It may seem too late to avert the global disaster on our horizon, but in the end the question is: are we astute enough as a species to grasp where we are going wrong and at least try to adapt? I personally doubt it, but that will not stop me trying encourage such a change of heart. Egotism and greed has gotten us into the mess we're in. It cannot get us out of it, because it's blind to the unconscious roots of ideas. That's almost an insurmountable problem. Science does not acknowledge the timeless dimension, nor that it's the source of a receptive, intuitive intelligence. Sensitisation is needed to open the perception. It would seem only a work of art can do that... but there's still the mental block to overcome. DUNCES LOSE.
We all experience synchronicity occasionally, along with other anomalies of awareness. The discovery of the Pyramid proves these effects steer us to synergy with space-time, if we use them as signposts.
The very existence of the Pyramid begs two questions: Why do the psychological effects I mentioned surface in everyone from time to time? and... How can you know if the guidance I claim to have pursued is real or not, where you encounter the same?
To answer, you need to be aware why this art has such monumental significance, so bare with me now while I jump to a seemingly unconnected area of science.
Here's the thing: Free will is not what the conscious ego thinks it is. Consider the mind effects of parapraxis and déjà vu and you'll understand. On top of that, while evidence to the contrary stares us in the face, the whole "rational system" supporting the concept of free will is blinkered and we refuse to acknowledge this, simply because convention sees nothing wrong. But in failing to value a transcendental light glimpsed through this tangled thicket, we've shut off our ability to develop conscious synergy with nature... the paradigm shift that could save us from ourselves. Modern science has its knickers in such a twist on this issue; it must close your mind, by proposing a fantasy concept: The Multiverse. This preposterous doctrine first appeared in Hugh Everett's graduate thesis, back in 1954. It was then summarily bolted on to the scientific cannon to explain away the Anthropic Principle; the observed fact our universe is finely tuned to produce life and reasoning intelligence, such as ours.
At the time, the ethically truthful, but vehemently godless foundation of scientific thinking, having remained untested, had been safe from attack since the age of reason by virtue of its evidence based knowledge gathering system. So far so good from a humanistic standpoint, but in the mid-nineteen-fifties the status quo was challenged by Fred Hoyle. He was the theoretical astrophysicist who discovered the fusion process, creating carbon within stars, is so finely tuned and so unlikely, it could not be the product of mere chance organisation, so carbon based life, such as ours and indeed, the entire universe, must have been designed by a cosmic intellect, i.e. God.
The multiverse concept was a way for cosmological science to "trump" that idea. However, its adoption was simply a perverse gamble, motivated by entrenched atheism and not by any proven fact, since evidence to support the theory is impossible to acquire. Worse still, it has put the future of life here at risk. We have disturbed the balance of the planet so comprehensively because the tactic worked, Hoyle was ignored and the hegemony of scientific godlessness was maintained. It's a big deal because our world vision continues to be corrupted by this institutionalised deceit.
The multiverse concept apparently defines the useful limits of reason, which to promote scientific logic/prejudice, has decided ours is just one of an infinite number of universes, whose laws are determined by chance. Remember, this is a doctrine preferred by the arbiters of scientific truth, so they can maintain, despite evidence to the contrary, our universe obeys laws set at random and not by a supreme being. This way the need to investigate Him can be sidestepped and any more inconvenient evidence able to undermine the scientific rules; this biggest of all taboos, would be unlikely to emerge.
Logic also dictates if ours is a randomly arranged universe, only meaningless, random shapes would result from my pattern making system. Remember, I followed synchronicity (chance events) as signposts to create the Pyramid. According to conventional wisdom then, no revelation concerning a creative beauty at the heart of reality would be likely to emerge from my process and yet that's precisely what happened. It's obvious in the central imagery of the Pyramid and occurs throughout this language, becoming more and more evident, the more one studies it. You'll notice, all the corners: an anchor, a fisherman and the letter "b" for "being," are symbols for Christ, and the whole sequence tells of a mythic path towards synergy, in a way you too could follow.
So, what can be going on?
The fact my creative process centred on synchronicity as the expression of my feedback with space-time is key. Conscious feedback of this kind implies an unconscious intelligence underlying reality exists to feedback with, in order to find the working synergy I claim.
What if chance only appears to be random because conventional wisdom is blind to its pattern? What if that pattern is the only thing that can save us from ourselves by activating the redeeming quality of the intuitive mind; the path to synergy with nature at the timeless level?
The Pyramid would be an iconic statement by the universal abstract, and something to be studied at length, but where can we focus our attention to discover guidance in our day to day, without complicating life ever so much? Isn't there an easier way to make contact with the divine?
Physics says the whole universe is a quantum phenomenon. Experiments have confirmed, the quantum field, the connected void within atoms, which includes the void between the stars and galaxies of the entire universe, presents a non-local force involved in quantum entanglement, a phenomenon that defies relativity and our normal experience of time. We also know that force is psychoactive because the results of experiments that reveal it, hinge on the intentions of the scientists who carry them out. It implies this non-local force never needs to travel anywhere, because it acts everywhere simultaneously and it influences us unconsciously. Essentially it's a timeless dimension of the mind we are unaware of in real life... but come to think of it, sometimes it does break through to consciousness and it would naturally be responsible for all our creative functions.
My Pyramid and the meaning it reveals, relied on tuning-in to timelessness. It's the proof we are capable of waking up to His ubiquitous dimension and of lifting humanity out of the crisis we're in, by developing synergistic genius.
The very existence of meaning expressed through Pyramid Art, given its mathematical structure, suggests there must be a cosmic plan we can tune-in to because it has to do with an unconscious force controlling the way the mind works. In that context the AZ symbol in the central imagery of the Pyramid suggests the source, its goal and something like a treasure map to navigate the labyrinth of existence. It's also an update to the Biblical Alpha & Omega, beginning and end of the ancient Greek alphabet. That was the symbol early Christianity used to represent the liberator, or messiah. Above the monogram is a butterfly in flight, referring to metamorphosis, liberation and the butterfly effect of timeless beauty, active as a living beast. The image, by the way, is drawn like a signature, in one continuous line, changing direction just four times. That alone is a graphic indicator of intelligence, but when the Pyramid is revolved through 90 degrees the direction of the butterfly changes 180 degrees. This I interpret as a promise from God, saying something like: Join Me in conscious partnership and I will double your creative power.
The quantum field makes up more than 99.99% of the volume of physical matter here on Earth, including our brain matter, from where its force must continually influence our thoughts, whether we realise it or not. The ego suppresses it, whereas responding to those clues, amplifies the creative force of mind, to produce a natural kind of genius .
Planet Earth is in a perilous situation and we need help from somewhere now because "expert" thinking is not immune to the complacent corruption infecting all established elites; the people and systems that have gotten us into our current mess.
Synchronicity had become the dominant feature of my awareness by the age of twenty eight, so I was positioned to use it as an observation technique to direct my artistic enquiry into timelessness when I moved from London to São Paulo Brazil. This move eventually came to fruition through a creative episode, bracketed by global synchronicity in 1987: The Great October storm and Black Monday, just a few days later. That's when the Pyramid was revealed as an interference pattern between two binary hexagram codes found in a western, twentieth century translation of the ancient Chinese I Ching
The meaning found in the Pyramid is proof mathematical of a timeless intellect, working towards something through the evolution of ages here on Earth. His creative force emanates from both within and beyond life, where we also find the quantum field. His force of mind, when tuned-in to, would then link all creativity back to the immortal Yang, conditioning our mortal Yin. So, here's a question to consider:
Would deliberate action in synergy with timelessness, bestow merit on its actors for eternity? It stands to reason it would, and the opposite must also be true.
The fact we are normally unaware of the ancestor cannot therefore, be a good thing. For starters he comes across as spooky when we do catch a glimpse, so we recoil in horror and confusion, then promptly forget those "incidents" while the ego reasserts itself as sole possessor of self. The alternative would be to do as I did: Listen and love; follow his promptings to actually develop synergy, so a marvel might emerge.
While I know deep satisfaction will come from your synergy with timelessness, once you develop it, all I can do is try to implant these ideas and offer initiation and development tools, once you sign up. You may already have experienced the stirrings of the mystery I'm talking about, as an apocalyptic form of beauty. This shines through the Pyramid, making it attractive to contemplate, with the power to catalyse the transformation I advocate.
To reform mankind's abusive relationship to nature, which we extend so unkindly to each other, requires we transform our thinking by comprehensively tuning our intuition in to the divine force of the universe, as both an inspirational and self limiting force. I offer my project for that purpose. You're invited to become a co-artist, though no artistic skill is needed. A willingness to accept the intuitive mind and adapt yours is essential. And while you're in this mode, learn this language. Sign up here Papolona.guru or on the butterfly button in this page header, then compose some honest guidance question(s) to start your ball rolling. You'll receive clues via the quantum field, the only place science has detected timelessness in action.
Create something in partnership with Him.